Mathers wrote:No not even close, I actually enjoyed a lot of songs on Massacre more.
The Massacre was also a classic but nothing comes close to BISD except GRODT
Re-Listen to BISD and tell me i'm wrong
Mathers wrote:No not even close, I actually enjoyed a lot of songs on Massacre more.
macdaddy019967 wrote:Mathers wrote:No not even close, I actually enjoyed a lot of songs on Massacre more.
The Massacre was also a classic but nothing comes close to BISD except GRODT
Re-Listen to BISD and tell me i'm wrong
macdaddy019967 wrote:Mathers wrote:No not even close, I actually enjoyed a lot of songs on Massacre more.
The Massacre was also a classic but nothing comes close to BISD except GRODT
Re-Listen to BISD and tell me i'm wrong
Trimss wrote:> Alm goat
> Alm still goat
> Alm goat
Kill You wrote:Almostlity GOAT poster omg
MistaVijilantee wrote:macdaddy019967 wrote:Mathers wrote:No not even close, I actually enjoyed a lot of songs on Massacre more.
The Massacre was also a classic but nothing comes close to BISD except GRODT
Re-Listen to BISD and tell me i'm wrong
No offense, dude.
But you are coming off as a massive dickrider, 50 Cent has put a lot of mediocre material since Get Rich or Die Trying, BISD being a fairly average album by 50 standards.
50 Cent isn't a lyricist, he never has been but he's a fantastic entertainer.
The fact that his lyrics aren't overly complex doesn't help, especially when his entertainment value falters.
GRDT is a classic because of how entertaining it is, not because he has some mind blowing lyrics.
He is a cultural icon, 9/10 people know about 50, but that doesn't make all his album classics.
A classic is ground breaking and/or revolutionary, with exemplary production and extremely well written bars, this continuous over the entire album.
This doesn't happen for BISD.
MistaVijilantee wrote:You have a great point about the lyricism aspect of a classic album when you were talking about The Chronic but the big difference is that it was particularly innovative and revolutionary in the fact it changed the sound of the Hip Hop culture.
Same with the Wu's first album, although it wasn't just strong with lyrics, no one at that time had that style.
50 only really had an original style inbetween the "How To Rob" era and GRODT, sure he had his commercial music but he was a grimy motherfucker.
I've never heard a Method Man held above a GZA album but I'm sure some people agree with it.
Meth has more charisma and a better presence, but The Genius makes you think, and confused the shit out of you at time - same with Ghostface.
Rae on the other hand and blunt and straight to the point, his storytelling is superb and he's a great lyricist, Rae and 50 are very much alike with the mafiso style but it's obvious one did it better.
I honestly think 50 only had a big impact by classic standards was on Get Rich, both with "In Da Club" and other bangers.
Despicable wrote::facepalm
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